Dating Fender amps and speakers

Dating Fender amps and speakers

This results in a fatter tone. Signal distortion In signal theory distortion is defined as a change of amplitude, frequency or phase. These are just different words for distortion. Distortion is for many tube amp guys considered a good thing since it makes the tone thicker, fuller and with more sustain. This is not desirable for all instruments. Will distort if signal level is very high hot humbuckers, boost effect pedals. Signal enters the EQ stage with treble and bass pots.

Dating Fender Amps

Features one channel and two inputs; volume, bright, treble, treble expander, bass, bass expander, bright switch, deep switch, stand-by switch, pilot light for stand-by and operate. This amp was built to play larger halls and outdoor concerts. The lack of reverb was not a big issue as most live performances had acoustics full of reverberation halls, arenas. Peter Traynor built these things to stand up to road abuse, unlike a lot of vintage stuff.

It sounds great with either bass and guitar, providing a clean and loud tone.

Out of Blackface, the classic “glassy” Fender sound was born, and Blackface amplifiers quickly became famous for their clean detailed sound a low volumes, increased headroom, and smooth overdrive when cranked to higher levels.

Bass 6 , to Typical wear on a ‘s Fender maple fingerboard. Fingerboard Material Maple fingerboard, s: This was the standard neck on all models until when the Jazzmaster was introduced with a rosewood fingerboard; the rest of the Fender models changed to rosewood fingerboards in mid Rosewood fingerboard, “Slab” Brazilian , to That is, the bottom of the fingerboard was flat and the board was fairly thick.

A picture of a slab board neck as seen from the “butt” of the neck can be seen in this picture. Also shown is the difference between reissue and original slab board necks. The Musicmaster family also used slab fingerboards usually Indian rosewood for about a year from Sept to Oct Slab fingerboards are also identifiable from the peghead by their “hump” line humps toward the tuners , just above the nut. Rosewood fingerboard, “Veneer”, The veneer of rosewood got even thinner by mid Also by the rosewood changed from Brazilian to Indian rosewood.

Veneer fingerboards are also identifiable from the peghead by their “dished” line dishes toward the nut , just above the nut.

Fender Bassman

In fact, it was likely that your parents were steering you in the direction of accordion lessons. The Beatles — and of course others — stopped all that. Suddenly, electric guitars were 1 on every kids Christmas list. Companies that had been manufacturing Accordions for 20 years, retooled for electric guitars. EKO was at the forefront, and within 2 years they were shipping over 10, electric guitars to USA per year.

Fender, Gibson, Gretsch, Rickenbacker… these were all too expensive for our parents to buy for us.

My first amp was a or Fender Princeton Reverb from the pictures I am looking at. I still have it. When I was 16 or 17 back in the early 80’s (when I didn’t know any better) I had the speaker replaced rather than re coned.

Plush Gig Bag Case Silkscreen: The Les Paul Deluxe has the 2 mini humbuckers which are sounding just awesome. Furthermore it has an all mahogany body pancake and Mahogany neck. Chrome hardware,rosewood fretboard-cherry finish,an awesome vintage LP Gibson. Condition is good,all works and has all original electronics-frets etc. It has lots of wear on the backside,like buckle rash and scratches,some dents and paintchips.

All this is natural aged and therefore its a true relic for its 39 years old. It will be delivered in an original later brown tolex gibson case These guitars are climbing in value and sought after by players. Get yourself an old time vintage Gibson LP.

Fender Twin (The Evil Twin)

I promise the tables will still be there after you finish reading. We also received a report of a tweed 5G12 Concert. The 5G12 Concert is the earliest version from very late and early so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period.

Working at FMI — I was able to interview a fellow who wishes to remain anonymous who worked at Fender in in the amp department. Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built.

Dating Fender Amps By Peter Stewart Gebbie. Silly me, I just published a link on how to date your Fender amp and I just went and dated y Deluxe Reverb! It is older than I thought at That made me happy. This one is an odd amplifier because when I decided to start on the restoraton, I noted that the circuitry was not pure Silverface but a.

In terms of power and clean headroom it is the smallest of all the Fender piggy back amps. The blackface Tremolux and Bandmaster AB are almost identical amps, just that the Tremolux is sized for smaller events and gigs. The Tremolux had tube rectifier, while the blackface Bandmaster had diode. Both amps had tremolo but no reverb. The sound is nice and clean and the tone remains relatively clean when one turns the volume knob.

The video clip demonstrates a blonde Tremolux, which is quite similar to the blackface. The Tremolux is rarer than the other blackface piggy back amps since it was produced over a shorter period of time. It was discontinued in and had no silverface models to follow. All the narrow-panel tweed, blonde and blackface Tremoluxes are very valuable today with a well-deserved collector status.

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The source-date code on a pot is a 6 or 7 digit code impressed into the casing of the potentiometer. For speakers this code can be 5, 6, 7 or 8 digits long, and it’s ink-stamped or paint-stamped on the “bell housing” of the speaker. In either case, the code works the same. The first 3 digits on a pot, or the first 2, 3 or 4 digits on a speaker are the source or manufacturer code. The remaining 3 or 4 digits are the date code.

In 3 digit dates code, the 1st digit is the last digit of the year.

Jan 27,  · My ’67 Deluxe was made in January, ’67 (date code QA) and is an AB Blackface amp (this despite most sources stating Deluxe production ceased in ’66). The amp was discontinued from the model line (forever) in March ‘

Fender tweed Fender amplifiers began making a name for themselves with the Tweed series, so called because of their cloth covering, which is actually varnished cotton twill tweed is a coarse woollen fabric, commonly used for jackets, coats and caps; it is often woven in a twill pattern, which is likely the reason for the confusion over naming. They were produced for more than a decade and are now eminently collectible and praised for their sound quality.

The twill was first used in on the Dual Professional a twin 10″ 6L6 powered model of which only were made before being renamed “the Super Amp” in These early models are commonly referred to as “TV-Fronts” due to the shape of the cabinet when viewed from above. The Dual Pro was the first twin speaker amp and also the first amp to employ a finger-jointed pine cabinet and the first amp with a top facing control panel. The construction of the amplifiers was changed as well: This has the benefit of providing ease of access to the inside while providing a strong top.

Fender mostly stopped using the twill covering in , though the Harvard was still covered in twill until , and the Champ until The first kind used was an off-white fabric, followed by a horizontal-stripe two-tone pattern, and finally a two-tone twill. At the beginning of the “tweed” era, Fender constructed many of its cabinets in “TV front” style, changing around predominantly to the “wide panel”, where the top and bottom panels are wider than the side. Fender later constructed them with “narrow panel”, in which all the panels have more or less the same width.

Toward the end, despite keeping such construction, Fender utilized tolex to cover its amps. Brownface Brown and Blonde [ edit ] Blonde twin, The Brownface series was introduced in and discontinued in This period marked the beginning of Fender’s use of Tolex to cover amp cabinets.

A History: ’s Word of the Year

The first Fender solidbody model, the Esquire , lasted in name only from June to October This model name was replaced by the “Broadcaster”, which lasted in name only from the October to January All Broadcasters have truss rods, where many Esquires often have no truss rod. In Gretsch had trademarked the name “BroadKaster” for a line of drums.

May 16,  · The reverb amps have one more gain stage in the preamp. So that should make them a bit louder and bit less clean. If you have a Deluxe Reverb or larger Fender reverb amp.(unmodded) Try the normal channel and see if you like it.

The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers. Advances have been made with regards to the production of tolex amps and it appears that much of this information can be applied to late s tweed amps as well.

In addition, the dating-by-serial number tables have been revised and are more accurate. The bad news is that there is still a lot of work that needs to be done on the silverface amps. Unfortunately, there is some sad news to report as well. Fellow Fender amp researcher, Greg Huntington, passed away June 5, after losing his battle with cancer. Greg kept his illness very private, even from this author.

His passing is a great loss to this research team and the Fender amp aficionado community in general.

1964 Original Fender Vibroverb Blackface Tube Amp Review

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